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Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts.A copy of the license is included in the section entitled GNU Free Documentation License.A view of Stevns' Cliffs ('' Stevns klint''), Denmark. Photographer: Dan Simon GFDL-self CC-by-sa-2.5 Category: Stevns municipality Category: Geography of Denmark Category: Cliffs Category: User: SFDan This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it.

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It debuted in magazine during a year that brought several other Modernist milestones, including T. The first stanza ushers us into a pleasant domestic setting, where a nameless woman lingers over breakfast: Complacencies of the peignoir, and late Coffee and oranges in a sunny chair, And the green freedom of a cockatoo Upon a rug mingle to dissipate The holy hush of ancient sacrifice.

She dreams a little, and she feels the dark Encroachment of that old catastrophe …

Her nonconformity, however, is solidly in the mold of Emily Dickinson, who wrote in the 1860s of “keep[ing] the Sabbath” by “staying at Home” and listening to birds.

An even closer model is Edna Pontellier, heroine of Kate Chopin’s revolutionary novel (1899), who attempts to retreat from her suffocating society into a liberating solitude.

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